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Ween, Gro Birgit
(2022).
Sights of Sápmi. A methodological question regarding ways of knowing landscapes.
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Ween, Gro Birgit; Brattland, Camilla; Mueller, Martin Lee; Gaski, Harald & Holmberg, Aslak
(2022).
Imagining salmon rivers of the future. Drawing together research, art and indigenous activism on salmon. .
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Lundblad, Michael & Ween, Gro Birgit
(2022).
Control: Attempting to Tame the World.
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Ingold, Tim; Hansen, Mette Halskov; Riede, Felix; Swanson, Heather Anne & Ween, Gro Birgit
(2022).
Reason and Response-ability.
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Ween, Gro Birgit
(2021).
Om 215 urfolksbarn som ble funnet i en massegrav ved en internatskole i Canada.
[Radio].
NRK P2 Helgemorgen.
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Ween, Gro Birgit
(2021).
Australias undskyldning til Stolen Generations.
[Radio].
NRK, P2, Studio 2.
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Ween, Gro Birgit
(2021).
Vi trenger andre stemmer inn i museene.
[Newspaper].
Morgenbladet.
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Ween, Gro Birgit
(2021).
Forberedende intervju om kulturell appropriasjon i Sapmi, med Agnes Nabat i Vox Pop, om europeisk kultur, økonomi og politikk, for kanalen ARTE.
[TV].
Vox Pop, Arte.
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Ween, Gro Birgit
(2021).
Intervju om filmen High Ground om urfolk i Australia.
[Radio].
Studio 2, P2.
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Ween, Gro Birgit
(2020).
Om NyArktis og det uventede Arktis.
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Ween, Gro Birgit
(2020).
Aboriginere under press i Australia.
[Radio].
Studio 2, P2.
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Ween, Gro Birgit
(2020).
Museer vil levere tilbake gjenstander fra kolonitiden.
[Newspaper].
Aftenposten.
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Ween, Gro Birgit & Kuldova, Tereza
(2020).
Nei, vi ble ikke krenket av lakris. Aftenpostens sak er tendensiøs.
[Newspaper].
Aftenposten.
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Ween, Gro Birgit
(2020).
Disse finnes i godterihyllene i dag: Gammeldags og unødvendig mener sosialantropolog.
[Newspaper].
Aftenposten.
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Ween, Gro Birgit
(2020).
Om aboriginsk kultur og tro, og kontrollert brenning for å ta vare på landskapet i Australia.
[Radio].
NRK P1, Mellom himmel og jord.
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Ween, Gro Birgit
(2020).
Om hva som skjer med aboriginere og deres kunnskap når Australia brenner.
[Radio].
Ekko, NRK P2.
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Ween, Gro Birgit
(2020).
Om skogbrannene i australia og den statsminister Scott Morrison.
[Radio].
NRK P2, Studio 2.
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Ween, Gro Birgit
(2019).
Om Australias nye kampanje mot båtflyktninger.
[Radio].
P2, Studio 2.
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Ween, Gro Birgit
(2019).
Achille Mbembe. Å levere tilbake gjenstandene kommer ikke til å rette opp skaden.
Samtale med Achille Mbembe og Gro Ween.
[Newspaper].
Morgenbladet.
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Ween, Gro Birgit
(2019).
ANT and collaborative endeavors.
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Ween, Gro Birgit
(2019).
Discussant at book launch. Renewing Destruction. Wind energy development, Conflict and Resistance in a Latin American Context.
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Ween, Gro Birgit
(2019).
Bååstede, repatriation and relational museums.
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Ween, Gro Birgit
(2019).
STS approaches to collaboration.
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Ween, Gro Birgit
(2019).
Urfolks tilnærminger til natur.
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Ween, Gro Birgit
(2019).
Yngvar Nielsen og det norske hjemmet.
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Ween, Gro Birgit
(2019).
Arktiske kollaborasjoner og de samiske samlinger.
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Ween, Gro Birgit
(2019).
Repatriering. Kontikimuseet og Bååstede.
[Radio].
Ekko, NRK P2.
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Ween, Gro Birgit
(2019).
Trump vil kjøpe Grønland - samtale om Grønland.
[Radio].
Norgesglasset, NRK P1.
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Ween, Gro Birgit & Brenna, Brita
(2019).
Naturecultures of Heritage. .
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Ween, Gro Birgit
(2019).
Remote Sensing. Remote Sensing. Om kjønn i arktisk forskningshistorie.
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Ween, Gro Birgit
(2018).
Å drepe den siste geirfugl. Samtale med Halfdan Bleken og Dag Hessen.
[Radio].
NRK P2, Ekko.
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Ween, Gro Birgit
(2018).
Om å gå på tur, sammen med Are Kalvø og Maren Werner.
[Radio].
NRK P2, Ukeslutt.
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Ween, Gro Birgit & Arnason, Arnar
(2018).
Species Extinction: Art materiality and the representation of loss in the Age of the Anthropocene.
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Ween, Gro Birgit
(2018).
Bååstede, the Sami Return. Collaborative and contested value in the making.
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Ween, Gro Birgit
(2018).
Kulturarvsproduksjon i teori og praksis.
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Ween, Gro Birgit
(2018).
Kulturell appropriering og Siv Jensen i indianerkostyme..
[Radio].
Radio Nova.
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Ween, Gro Birgit
(2018).
Intervju om kulturell appropriasjon.
[Newspaper].
Morgenbladet.
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Ween, Gro Birgit
(2017).
Situasjonen på den australske interneringsleiren på øya Manus.
[Radio].
P2 Studio 2.
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Ween, Gro Birgit
(2017).
Om lokalkunnskapens kår i forvaltningen av Tanalaksen.
Ottar.
ISSN 0030-6703.
p. 34–40.
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Ween, Gro Birgit
(2017).
Debatt om kulturell appropriasjon.
[TV].
NRK P2, Dagsnytt 18.
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Ween, Gro Birgit
(2017).
Siv Jensen i indianerkostyme og hva er egentlig kulturell apropriering.
.
[Radio].
studio 2, NRK.
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Ween, Gro Birgit & Riseth, Jan Åge
(2016).
Samisk vertskap og turisme. Fortidas spor og nye starter.
In Fossum, Birgitta (Eds.),
Åarjel-saemieh. Samer i sør. Årbok nr. 12. .
Saemien Sijte. Sørsamisk museum og kultursenter.
ISSN 978-82-93120-05-6.
p. 127–144.
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Ween, Gro Birgit
(2016).
How to Reengage Relocation? Approaches to Inuit
and Other Indigenous Population Movements and
Inequalities in the Land Claims Era.
Current Anthropology.
ISSN 0011-3204.
57(6),
p. 799–800.
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Ween, Gro Birgit
(2016).
Å drepe den siste geirfugl.
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Ween, Gro Birgit
(2016).
Politiske landskap i Varanger.
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Ween, Gro Birgit
(2016).
Konferansier i boklansering av Wenzel Geissler et als. antologi; Traces of the Future. Living in the aftertime.
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Ween, Gro Birgit
(2016).
NyArktis.
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Ween, Gro Birgit
(2016).
NyArktis. 9 themes. Exhibition opening.
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Ween, Gro Birgit
(2016).
beidet involvert med å gjøre laks til ressurs og om vitenskapelig gjeting av laks i Yukon.
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Ween, Gro Birgit
(2016).
New and old ways of sharing fish- the making of Yukon River salmon.
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Ween, Gro Birgit
(2016).
Mot et postkolonielt Arktis: Urfolk, makt og ressurser.
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Ween, Gro Birgit
(2016).
Fluid engagements. How to communicate difference in ways of knowing nature.
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Wachowich, Nancy & Ween, Gro Birgit
(2015).
Producing Sealskins: the Mittimatalik Arnait Miqsugtuit Collective.
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Ween, Gro Birgit & Monsen, Arve
(2015).
Yngvar Nielsen og det norske folket.
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Ween, Gro Birgit
(2015).
Gender in Arctic human-animal relations. Women’s work and close-upmulti- species encounters.
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Ween, Gro Birgit
(2015).
Kevo Subarctic Research Station: Science, architecture and wilderness at the Finnish Frontier.
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Ween, Gro Birgit
(2015).
Kevo Subarctic Research Station. Wilderness and architecture, science and gender at the Finnish Frontier.
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Ween, Gro Birgit
(2015).
Den flerfoldige laksen og tanker om sammenhengen mellom domus og dominans.
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Ween, Gro Birgit
(2015).
Digital and non-digital repatriation.
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Ween, Gro Birgit
(2015).
Anders Paulsen (1600-1692)hans runebomme, liv og død.
[Radio].
NRK P2 Ekko..
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Ween, Gro Birgit
(2015).
Discussant to Objects and Imagination - Perspectives on materialisations and meaning, by Øivind Fuglerud and Leon Wainwright, Oxford: Berghahn 2015.
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Ween, Gro Birgit & Lien, Marianne Elisabeth
(2014).
Generative interfaces of STS and anthropology in Norway.
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Øien, Maria; Ween, Gro Birgit & Larsen, Kjersti
(2015).
"Our art comes from our Dreaming" Exploring the Becoming of Ngan'gi Art from Nauiyu, Australia.
Universitetet i Oslo.
Show summary
“Our art comes from our Dreaming”
Exploring the Becoming of Ngan’gi Art from Nauiyu, Australia
This thesis is an ethnographic study of the art produced by Ngan’gi artists who are members of Merrepen Arts, an art centre located in Nauiyu, a rural Aboriginal community in Northern Australia. Ngan’gi art in itself, but also the art’s origin, circulation and the artistic production practices performed by Ngan’gi artists, makes up the thematic focus of this thesis. Drawing on 18 months of ethnographic fieldwork among the Ngan’gi artists in Nauiyu and in many fine art galleries and museums in the main cities of Australia, this thesis is moving between local art production and international art world scenes. Øien shows how Ngan’gi art is characterised by a translation of sacred Ngan’gi cosmological imagery into commercial paintings and prints. Taking a critical look at the intercultural confrontations involved with this symbolic transformation Øien found inspiration in the analytical term “the becoming of art” introduced by Morphy (2008). Drawing on Morphy’s work Øien combines detailed descriptions of the art’s origin, cosmological foundation, and kinship based art production practices, with a symbolic analysis of Ngan’gi designs, as well as exploring representations surrounding Ngan’gi art circulation and artistic intention. Øien aims at uncovering how all these elements are mutually constitutive to the “becoming” of Ngan’gi art. This study spans the complexities embedded in Ngan’gi art by following the complete path from origin to production, to distribution among consumers. This approach provides a fruitful outset for understanding how art circulation and the interconnectedness between local Ngan’gi artists and other art world participants facilitate dynamic transformations in the art’s value, status and meaning. Øien reveals how the Ngan’gi artists chose to create commercialised creative extension of sacred designs due to a fundamental wish to share the stories of Ngan’gi culture, cosmology, society and history. Art has for Aboriginal artists facilitated public visibility, cultural recognition, and provided income, as well as a mean to communicate cross-culturally and educate their audience of the sacred value embedded in their art.