Art and Ambiguity: An Extended Review of Border Zones at the Museum of Anthropology, British Columbia
By Øivind Fuglerud.
In Museum Anthropology, Volume 35. Issue 2. October 2012 (Pages 170 - 184).
DOI 10.1111/j. 1548-1379.2012.01130.x
In the last decade, an emphasis on aesthetics has become a prominent strategy for ethnographic museums that try to sever their connections to a history of colonialism and to overcome the dilemmas and difficulties involved in representing societies and cultures that are different from their own. Implicitly, and sometimes explicitly, aesthetics and art are projected as being intuitively understandable—a common ground where the politics of representation can be avoided. This article reviews the exhibition entitled Border Zones: New Art Across Cultures, which is a temporary exhibition that, following a lengthy rebuilding period, opened at the Museum of Anthropology (MoA) in Vancouver in 2010. The article, situates the exhibition within the MoA's own "exhibitionary narrative“ and within a landscape of contemporary art.
External link: Museum Anthropology