Images - Page 3

  • Oct. 14, 2016
  • Feb. 1, 2017

    Norwegian Museum of Cultural History (NF.1991-0337A). Photo was downloaded from DigitaltMuseum.no.

  • Jan. 30, 2017

    The unique bead necklace from the Vestby hoard, with 353 tin-plated bronze beads. Photo: Kirsten Jensen Helgeland, Museum of Cultural History.

  • Jan. 30, 2017

    X-ray photograph of one of the animal figurines, showing how the head is cast onto the body. The socket at the neck end is also visible. Photo: Museum of Cultural History.

  • Jan. 27, 2017

    One of the two hybrid figurines from the Vestby hoard: Horned horse. Photo: Kirsten Jensen Helgeland, Museum of Cultural History.

  • Jan. 27, 2017

    One of the two hybrid figurines from the Vestby hoard: Horned horse. Photo: Kirsten Jensen Helgeland, Museum of Cultural History.

  • Jan. 27, 2017
  • Jan. 27, 2017
  • Jan. 27, 2017
  • Jan. 27, 2017
  • Dec. 16, 2016

    The Grude dagger. Photo: Terje Tveit, Museum of Archaeology, University of Stavanger.

  • Dec. 16, 2016

    The Rørby sword and flint sabre from Fårskov. Photo: Lennart Larsen, National Museum (©Creative Commons, for conditions of use see here: http://creativecommons.org/licenses/by-sa/2.5/dk/)

  • Dec. 16, 2016

    The Grude dagger compared with a more ordinary flint dagger from the Bronze Age. Photo: Terje Tveit, Museum of Archaeology, University of Stavanger.

  • Dec. 16, 2016

    Front of the crown/bridal lad with strong red, green, gold and white pigments. The lad consists of three different parts: at the bottom, green and red protruding pegs; a series of carved open leaves at the top; and in the middle a thick torse with a red five petal rose with gold tints and a green stem in a kind of rosemaling style. Rosemaling with simple four and five petal rosettes and green stems is usually dated to the late 1700s, early 1800s (Vesaas). The underpart of the crown/bridal lad with three holes corresponding to the upper part of the original crown. Three wooden plugs (dowels) have kept it in Place.

  • Nov. 24, 2017

    To the right, a knee high boot from the medieval city of Tønsberg (C57759/1113). To the left, a reconstruction of a similar Type 1 boot as referenced in Erik Schias typology. Photo: Vegard Vike, KHM/UiO.

  • Nov. 24, 2017

    Boot shaft excavated at the ‘Fjernvarme 2010’ project in Tønsberg (C57759/1113). Photo: Pia Edqvist, KHM/UiO.

  • Nov. 24, 2017

    Boot shaft excavated at the ‘Fjernvarme 2010’ project in Tønsberg (C57759/1113), seen from the inside. Photo: Pia Edqvist, KHM/UiO.

  • Nov. 24, 2017

    Illustration of a type 1 boot shaft from an earlier excavation in Tønsberg (C33968/TG2120) Photo: Anne Britt Halvorsen, KHM/UiO.

  • Nov. 24, 2017

    Example of Type 1 boot from Gamlebyen in Oslo (C34011/G6608). Illustration after Schia (1977:108).

  • Nov. 24, 2017

    A boot from Lűbeck, Germany. Illustration after Volken (2014:142).

  • Nov. 24, 2017

    Boot from Breda, the Netherlands, with sole, vamp and a secondary cut shaft. Goubitz, O,.et al (2001:236).

  • Nov. 24, 2017

    Shoes and soles from the end of 11th century to early 14th century. Illustration after Erik Schia (1987:402-403).

  • Nov. 24, 2017

    Shoes during the Middle Ages and their different parts. Illustration after Järpe, A: Ambrosiani, B: Gestsson, G. (1982:356)

  • Sep. 30, 2017

    Photo: Vegard Vike, Museum of Cultural History, UiO.

  • Nov. 24, 2017

    Seams used for medieval shoes. Illustration from ’Shoes and Pattens’ (1988) by Susan Mitford.