Marina Prusac Lindhagen

• Prusac-Lindhagen, Marina (2025). Portraiture. I Rutgers, Leonard V.; Christie, Neil; Jensen, Robin M. & Magness, Jodi (Red.), The Cambridge Encyclopaedia of Late Antique Art and Archaeology. Volume 1. Architecture, Artifacts and Evidence. Cambridge University Press. ISSN 9781009535090. s. 265–280. doi: 10.1017/9781009535090.015. Fulltekst i vitenarkiv Vis sammendrag

  This chapter explores late antique portraiture, centring on its stylistic evolution, its cultural significance and shifting scholarly interpretations. It examines a diverse range of materials, including sculptural portraits, reliefs, mosaics and coins, alongside historical texts that shed light on how portraiture was perceived and utilised during this period. The chapter traces the transition from the naturalistic imperial portraiture of the Roman era to the more stylised and symbolic depictions of the Late Antique and Byzantine periods. It analyses how portraiture evolved from realistic likenesses to abstract, hierarchical representations, particularly as a response to Christianity’s growing influence and the changing political landscape, and argues that late antique portraits should be viewed not as signs of artistic decline but rather as part of a broader transformation in both artistic and ideological expression. The chapter concludes that portraiture in Late Antiquity was not merely about depicting individuals; it played essential political, religious and social roles, reinforcing imperial authority and Christian ideals.

• Prusac-Lindhagen, Marina (2024). Slettet fra historien. Den største fornedrelse i romersk keisertid. I Minor, Anna (Red.), IKONOKLASME Kunsten som kampplads. Ny Carlsberg Glyptotek. ISSN 9788774523864. s. 49–76. Fulltekst i vitenarkiv
• Prusac-Lindhagen, Marina (2024). Excluded From History. The Ultimate Humiliation in Roman Times. I Minor, Anna (Red.), ICONOCLASM Art as Battleground. Ny Carlsberg Glyptotek. ISSN 9788774523871. s. 49–76. Fulltekst i vitenarkiv
• Prusac-Lindhagen, Marina (2024). Empress Valeria Messalina The Mother of a Legitimate Heir to the Roman Throne and Damnatio Memoriae. Acta ad archaeologiam et artium historiam pertinentia (ACTA). ISSN 0065-0900. 37. Fulltekst i vitenarkiv
• Prusac-Lindhagen, Marina (2022). Mimesis and the necessity of destruction. Animism and evil in Damnatio Memoriae portraits. In Ghermani, Naïma and Caroline Michel D'Annoville (eds) Image et Droit. Du ius imaginis au droit à l’image. Collection de l'École francaise de Rome. ISSN 0223-5099. 599. Fulltekst i vitenarkiv
• Prusac-Lindhagen, Marina (2021). Reclaiming Illyria: The Notorious Usefulness of Archaeology to Communism and Nationalism Alike in Yugoslavia and After. I Ognjenovic, Gorana & Jozelic, Jasna (Red.), Nationalism and the Politicization of History in the Former Yugoslavia.. Springer Nature. ISSN 9783030658328. s. 43–72. doi: 10.1007/978-3-030-65832-8_3. Fulltekst i vitenarkiv
• Prusac-Lindhagen, Marina (2021). The Significance of Emotions in Realistic Portraiture. I Prusac-Lindhagen, Marina; Dillon, Sheila & Karine, Lundgren Astri (Red.), The Portrait Face. Understanding Realism and Verism in Greek and Roman Portraiture. Det norske institutt i Athen. ISSN 9786188536012. s. 269–298. Fulltekst i vitenarkiv
• Prusac-Lindhagen, Marina & Dillon, Sheila (2021). Introduction. I Prusac-Lindhagen, Marina; Dillon, Sheila & Karine, Lundgren Astri (Red.), The Portrait Face. Understanding Realism and Verism in Greek and Roman Portraiture. Det norske institutt i Athen. ISSN 9786188536012. s. 7–14. Fulltekst i vitenarkiv

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• Prusac-Lindhagen, Marina; Dillon, Sheila & Karine, Lundgren Astri (2021). The Portrait Face. Understanding Realism and Verism in Greek and Roman Portraiture. Det norske institutt i Athen. ISBN 9786188536012. 301 s. Fulltekst i vitenarkiv

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• Prusac-Lindhagen, Marina (2021). Lørdagsliv. Tema: Show. Bidrag om underholdning i antikken, spes. gladiatorkamper. [Radio]. NRK P1. Fulltekst i vitenarkiv

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