Siste publikasjoner

• Cutajar, Michelle; Stockman, Robert A.; Braovac, Susan-Diana; Steindal, Calin Constantin; Zisi, Angeliki & Harding, Stephen Ernest (2022). Comparative Hydrodynamic Study on Non-Aqueous Soluble Archaeological Wood Consolidants: Butvar B-98 and PDMS-OH Siloxanes. Molecules. ISSN 1420-3049. 27(7). doi: 10.3390/molecules27072133.
• Marchetto, Davide; de Ferri, Lavinia; Latella, Aurelio & Pojana, Giulio (2022). Micro- and mesoplastics in sea surface water from a Northern Adriatic coastal area. Environmental science and pollution research international. ISSN 0944-1344. doi: 10.1007/s11356-021-17874-9.
• Zisi, Angeliki (2021). Forest wood through the eyes of a cultural conservator. Forests. ISSN 1999-4907. 12(8), s. 1–23. doi: 10.3390/f12081001.
• Ekengren, Fredrik; Callieri, Marco; DIninno, Domenica; Berggren, Åsa; MacHeridis, Stella & Dell'Unto, Nicoló (2021). Dynamic Collections: A 3D Web Infrastructure for Artifact Engagement. Open Archaeology. ISSN 2300-6560. 7(1), s. 337–352. doi: 10.1515/opar-2020-0139.
• Harding, Stephen Ernest (2021). Analytical ultracentrifugation as a matrix-free probe for the study of kinase related cellular and bacterial membrane proteins and glycans. Molecules. ISSN 1420-3049. 26(19). doi: 10.3390/molecules26196080.
• Taylor, James & Dell'Unto, Nicoló (2021). Skeuomorphism in Digital Archeological Practice: A Barrier to Progress, or a Vital Cog in the Wheels of Change? Open Archaeology. ISSN 2300-6560. 7(1), s. 482–498. doi: 10.1515/opar-2020-0145.
• Hansen, Birgit Wilster; Mannes, David; Holmqvist, Karen Langsholt; Ødeby, Kristine & Kutzke, Hartmut (2021). Virtual unwrapping of the Bispegata amulet, a multiple folded medieval amulet, by using neutron tomography. Archaeometry. ISSN 0003-813X. s. 1–10. doi: 10.1111/arcm.12734. Fulltekst i vitenarkiv
• Cutajar, Michelle; Andriulo, Fabrizio; Thomsett, Megan R.; Moore, Jonathan C.; Couturaud, Benoit & Howdle, Steven M. [Vis alle 8 forfattere av denne artikkelen] (2021). Terpene polyacrylate TPA5 shows favorable molecular hydrodynamic properties as a potential bioinspired archaeological wood consolidant. Scientific Reports. ISSN 2045-2322. 11(1). doi: 10.1038/s41598-021-86543-1.
• Longoni, Margherita; Zalaffi, Maria Sole; de Ferri, Lavinia; Stortini, Angela Maria; Pojana, Giulio & Ugo, Paolo (2021). Surface Enhanced Raman Spectroscopy With Electrodeposited Copper Ultramicro-Wires With/Without Silver Nanostars Decoration . Nanomaterials. ISSN 2079-4991. 11(2), s. 1–17. doi: 10.3390/nano11020518. Fulltekst i vitenarkiv
• Lucejko, Jeannette Jacqueline; de LaMotte, Anne; Andriulo, Fabrizio; Kutzke, Hartmut; Harding, Stephen Ernest & Phillips-Jones, Mary K [Vis alle 10 forfattere av denne artikkelen] (2021). Evaluation of Soda Lignin from Wheat Straw/Sarkanda Grass as a Potential Future Consolidant for Archaeological Wood. Forests. ISSN 1999-4907. 12(7). doi: 10.3390/f12070911. Fulltekst i vitenarkiv
• Lucejko, Jeannette Jacqueline; McQueen, Caitlin; Sahlstedt, Malin; Modugno, Francesca; Colombini, Maria Perla & Braovac, Susan (2021). Comparative chemical investigations of alum treated archaeological wood from various museum collections. Heritage Science. ISSN 2050-7445. 9(1). doi: 10.1186/s40494-021-00517-0. Fulltekst i vitenarkiv
• Gullbekk, Svein Harald; Kilger, Christoph; Kristensen, Steinar & Roland, Håkon (2021). Money and Religious Devotion in Medieval Northern Europe. I Gullbekk, Svein Harald; Kilger, Christoph; Kristensen, Steinar & Roland, Håkon (Red.), Coins in Churches Archaeology, Money and Religious Devotion in Medieval Northern Europe. Routledge. ISSN 9780367557065. s. 3–28. Vis sammendrag

  This book focuses on the formative period of Church reform in the Middle Ages in Northern Europe, when the Church paved the way for the development of money economy on its own doorstep. Church archaeology provides evidence for patterns of monetary use related to liturgy, church architecture and devotional culture through the centuries. This volume encompasses Alpine European evidence, with emphasis on Gotland, Denmark, Norway, Sweden, Finland and Switzerland, which opens up a new field of research on religion and money for an international audience. Based on 100,000 single finds of coins from the 11th to 18th centuries from 650 Scandinavian churches, the volume offers an in-depth discussion of the concepts of ritual, liturgy and devotional uses of money, monetary space and spiritual economy within the framework of Christendom, the medieval church and church architecture. Written by international scholars, Coins in Churches will be a valuable resource for readers interested in the history of religion, money, the economy, and church architecture in Northern Europe in the Middle Ages.

• Corradini, Martina; De Ferri, Lavinia & Pojana, Giulio (2021). Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching. Applied Spectroscopy. ISSN 0003-7028. 75(4), s. 445–461. doi: 10.1177/0003702820957641.
• Freeman, Ashley Amanda; De Ferri, Lavinia; Mazurek, Joy; Andriulo, Fabrizio & Bertolin, Chiara (2021). A Multi-Analytical Approach for the Characterization of Seventeenth Century Decorative Wall Paintings in Two Norwegian Stave Churches: A Case Study at Eidsborg and Heddal, Norway. Applied Sciences. ISSN 2076-3417. 11(8). doi: 10.3390/app11083477. Fulltekst i vitenarkiv Vis sammendrag

  The presented research examines 17th century distemper paint from the polychrome wooden interiors of two Norwegian stave churches: Eidsborg and Heddal. For the first time, the inorganic and organic components of specimens from Eidsborg and Heddal were identified using X-ray Diffraction (XRD), Environmental Scanning Electron Microscopy (ESEM)—Energy Dispersive X-ray Spectroscopy (EDS), Fourier-Transform Infrared (FT-IR) spectroscopy, Enzyme-Linked Immunosorbent Assay (ELISA), and Gas Chromatography-Mass Spectrometry (GC-MS) after derivatization. This multi-analytical approach allowed for the identification of red ochre as the main red pigment within the topcoat (with the possible addition of minium), confirmed that a chalk basecoat was used, and finally permitted the recognition of alteration phases. Markers of proteinaceous material attributed to the use of animal-based glues were detected throughout the stratigraphic layers of both churches, with the addition of linseed oil in some locations. Furthermore, the wood substrate showed markers characteristic of pine tree, with contamination of wood fractions being detected in some of the paint samples from Heddal and Eidsborg. This research has contributed to a better understanding of the current preservation state of Heddal and Eidsborg, and ultimately assisted in developing a deeper comprehension and awareness of materials used in Norwegian stave churches.

• Wakefield, Jennifer M.K.; Braovac, Susan-Diana; Kutzke, Hartmut; Stockman, Robert A. & Harding, Stephen Ernest (2020). Tert-butyldimethylsilyl chitosan synthesis and characterization by analytical ultracentrifugation, for archaeological wood conservation. European Biophysics Journal. ISSN 0175-7571. 49, s. 781–791. doi: 10.1007/s00249-020-01450-z.
• Wakefield, Jennifer M.K.; Hampe, Robert; Gillis, Richard B.; Sitterli, Agnes; Adams, Gary G. & Kutzke, Hartmut [Vis alle 8 forfattere av denne artikkelen] (2020). Aminoethyl substitution enhances the self-assembly properties of an aminocellulose as a potential archaeological w2ood consolidant. European Biophysics Journal. ISSN 0175-7571. 49, s. 791–798. doi: 10.1007/s00249-020-01451-y.
• Kollandsrud, Kaja (2020). Himmelsk formidling i middelalderens malerkunst. Kunst og kultur. ISSN 0023-5415. 103(4), s. 246–258. doi: 10.18261/issn.1504-3029-2020-04-04.
• Kollandsrud, Kaja & Kiilerich, Bente (2020). Perceiving Matter. Visual, Material and Sensual Communication – an introduction. CLARA Classical Art and Archaeology. ISSN 2464-3726. 5. doi: 10.5617/clara.v5i0.7980. Fulltekst i vitenarkiv Vis sammendrag

  A consistent line of thinking about matter, colour and form continued into the Middle Ages from the Classical period. Our present views on the Classical and medieval works of art are coloured by how they have been perceived throughout their timeline. Therefore, it is fruitful to discuss polychromy in a broader historical context. The idea for this special issue came about when researchers specializing in ancient and medieval polychromy met for the first time at the seminar Perceiving matter. Visual, material and sensual communication from Antiquity to the Middle Ages and Beyond, held at the Museum of Cultural History,5 April 2019 under the auspices of the Polychrome Art History Research Group. Marina Prusac Lindhagen initiated the seminar and invited Kaja Kollandsrud to co-organise the event. The seminar discussed the perception of matter and colour as it is expressed through the polychrome three-dimensional form in a wider historical and functional context. The topics covered included the relationship between matter, form and colour, the nature of the paints and gilding, the way they were applied, and how colour and gilding together with their surface texture contribute to model the three-dimensional form.

• Platania, Elena; Streeton, Noëlle Lynn Wenger; Lluveras-Tenorio, Anna; Vila, Anna; Buti, David & Caruso, Francesco [Vis alle 10 forfattere av denne artikkelen] (2020). Identification of green pigments and binders in late medieval painted wings from Norwegian churches. Microchemical journal (Print). ISSN 0026-265X. 156. doi: 10.1016/j.microc.2020.104811. Fulltekst i vitenarkiv Vis sammendrag

  Green pigments in micro-samples taken from three late-medieval painted objects from Norwegian churches have been investigated with the aim to characterize their constituents and understand how they relate to damages observed in passages containing green paints. The cross-sections were analyzed by optical microscopy under visible and UV light, Scanning Electron Microscopy coupled with Energy Dispersive X-Ray Spectrometry and vibrational spectroscopies (Raman, ATR-FTIR). In addition, Gas Chromatography coupled with Mass Spectrometry was employed for the characterization of binding media, using a derivatization methodology recently developed for the detection of metal soaps in paint samples. This extensive characterization aided the identification of the individual constituents and the stratigraphy of green paints. It also builds the foundation for future ageing studies that can provide better insights into the mechanisms of the processes at stake in selective delamination of paints containing copper complexes.

• Rødsrud, Christian Løchsen; Melgaard, Hilde M Sømme; Skogheim, Vegard; Winther, Torgeir & Mikkelsen, Peter Hambro (2020). Kokegropslokaliteter og ovner i Løten. I Rødsrud, Christian Løchsen & Mjærum, Axel (Red.), Ingen vei utenom. Arkeologiske undersøkelser i forbindelse med etablering av ny rv. 3/25 i Løten og Elverum kommuner, Innlandet. Cappelen Damm Akademisk. ISSN 9788202632229. s. 157–174. doi: https%3A/doi.org/10.23865/noasp.97. Fulltekst i vitenarkiv Vis sammendrag

  I 2015 gjennomføre Kulturhistorisk museum utgravninger i Løten og Elverum kommuner, region Innlandet. Bakgrunnen var Statens vegvesens planer om å bygge ut riksveiene 3 og 25 for å skape en bedre veiforbindelse mellom skogene i Østerdalen og jordbruksbygdene på Hedmarken. Hele 79 kulturminneområder fra yngre steinalder til middelalder ble gravd ut, blant annet gravminner på det store Skillingstadgravfeltet, jernvinneovner, fangstanlegg, kullgroper, kokegropsfelt og gamle åkre. I tillegg presenteres utgravningsresultater fra tilgrensende områder, deriblant en smie fra Ringsaker og et smeddepot fra Elverum. I denne boken gjøres det rede for de viktigste faglige resultatene, samtidig som resultatene settes inn i en bred, kulturhistorisk sammenheng. Gjennom utgravningene og etterarbeidet er det generert ny og sentral kunnskap som belyser forhistorien i Sørøst-Norge, men som også har relevans langt utenfor regionens grenser. Prosjektet har blant annet gitt en unik mulighet til å belyse hvordan gårdsbebyggelsen og utmarksbruken var knyttet tett sammen i jernalderen. Samtidig har prosjektarbeidet synliggjort Løtens og Elverums strategiske beliggenhet for ferdselen mellom Østerdalen og Hedmarken – det var ingen vei utenom.

• Kroesen, Justin Ernest Alexander & Kollandsrud, Kaja (2019). 24 Un crucifix del gòtic primerenc. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), Nord & Sud. Art medieval de Noruega i Catalunya, 1100-1350. WBooks. ISSN 9789462583658. s. 145–146.
• Kollandsrud, Kaja & Kroesen, Justin Ernest Alexander (2019). 22 El rei crucificat. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), Nord & Sud. Art medieval de Noruega i Catalunya, 1100-1350. WBooks. ISSN 9789462583658. s. 141–142.
• Kollandsrud, Kaja & Kroesen, Justin Ernest Alexander (2019). 12 Una església en miniatura. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), Nord & Sud. Art medieval de Noruega i Catalunya, 1100-1350. WBooks. ISSN 9789462583658. s. 118–119.
• Kroesen, Justin Ernest Alexander & Kollandsrud, Kaja (2019). 24 Een vroeggotisch kruisbeeld. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), North & South. Middeleeuwse kunst uit Noorwegen en Catalonië 1100-1350. WBooks. ISSN 9789462583542. s. 145–146.
• Kollandsrud, Kaja & Kroesen, Justin Ernest Alexander (2019). 22 De gekruisigde koning. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), North & South. Middeleeuwse kunst uit Noorwegen en Catalonië 1100-1350. WBooks. ISSN 9789462583542. s. 141–142.
• Kollandsrud, Kaja & Kroesen, Justin Ernest Alexander (2019). 12 Een miniatuurkerk. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), North & South. Middeleeuwse kunst uit Noorwegen en Catalonië 1100-1350. WBooks. ISSN 9789462583542. s. 118–119.
• Kroesen, Justin Ernest Alexander & Kollandsrud, Kaja (2019). 24 An Early-Gothic Crucifix. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), North & South. Medieval Art from Norway and Catalonia, 1100-1350. WBooks. ISSN 978 94 625 8355 9. s. 145–146.
• Kollandsrud, Kaja & Kroesen, Justin Ernest Alexander (2019). 22 The Crucified King. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), North & South. Medieval Art from Norway and Catalonia, 1100-1350. WBooks. ISSN 978 94 625 8355 9. s. 141–142.
• Kollandsrud, Kaja & Kroesen, Justin Ernest Alexander (2019). 12 A Miniature Church. I Kroesen, Justin Ernest Alexander; Leeflang, Micha & Sureda, Marc (Red.), North & South. Medieval Art from Norway and Catalonia, 1100-1350. WBooks. ISSN 978 94 625 8355 9. s. 118–119.
• Kollandsrud, Kaja & Plahter, Unn (2019). Twelve Century Polychrome at the Northernmost Edge of Europe: Past Analyses and Future Research. Medievalista. ISSN 1646-740X. 26, s. 1–40. doi: 10.4000/medievalista.2271. Fulltekst i vitenarkiv
• Dionisi-Vici, P; Braovac, Susan; Hauer, David & Jensen, Maria Malherbes (2018). Measuring stress levels of archaeological samples from the Oseberg ship under fluctuating relative humidity - preliminary results. I Williams, Emily & Hocker, Emma (Red.), Proceedings of the 13th ICOM-CC Group on Wet Organic Archaeological Materials Conference: Florence 2016. International Council of Museums Committee for Conservation (ICOM-CC). ISSN 978-92-9012-436-8. s. 333–337.
• McHale, Emily; Steindal, Calin Constantin; Kutzke, Hartmut; Benneche, Tore & Harding, Stephen Ernest (2017). In situ polymerisation of isoeugenol as a green consolidation method for waterlogged archaeological wood. Scientific Reports. ISSN 2045-2322. 7. doi: 10.1038/srep46481. Fulltekst i vitenarkiv
• Zhu, Lizheng; Ilott, Andrew J.; Del Federico, Eleonora; Kehlet, Cindie; Klokkernes, Torunn & Jerschow, Alexej (2017). 1H NMR study and multivariate data analysis of reindeer skin tanning methods. Magnetic Resonance in Chemistry. ISSN 0749-1581. 55(4), s. 312–317. doi: 10.1002/mrc.4529.
• McHale, Emily; Braovac, Susan; Steindal, Calin Constantin; Gillis, Richard B; Adams, Gary & Harding, Stephen E [Vis alle 8 forfattere av denne artikkelen] (2016). Synthesis and characterisation of lignin-like oligomers as a bio-inspired consolidant for waterlogged archaeological wood. Pure and Applied Chemistry. ISSN 0033-4545. 88(10-11), s. 969–977. doi: 10.1515/pac-2016-0814. Fulltekst i vitenarkiv Vis sammendrag

  The development of new materials for the consolidation of waterlogged archaeological wood from sustainable sources is an important area of research, as the most widely used consolidant today is petroleum based. Ideally a new consolidant will interact with the existing wood structure, ensuring maximum compatibility. Lignin is often the major component remaining in archaeological wood, as it is less susceptible to degradation than holocellulose. Therefore, in order to maximise the potential for interaction with the wood cells, lignin-like oligomers have been synthesized from isoeugenol using a water soluble copper salen catalyst at pH 10, giving a weight average Mw of 1.6 kDa. Analysis by NMR spectroscopy has shown that the oligomers have a lignin-like structure with β-O-4′, β-β′ and β-5′ connections. A 10 w/w% solution of the oligomers in ethyl acetate was found to thoroughly penetrate 1 cm3 samples of waterlogged archaeological wood (density of 0.146 g/mL, maximum water content of 620%) after 14 days impregnation, as determined by FTIR spectroscopy. No impregnation material could be seen by SEM, suggesting that it coats the cell walls upon drying. This indicates that dehydrogenated polymers penetrate waterlogged archaeological wood well and have the potential to be developed into consolidants.

• Klokkernes, Torunn (2010). Women’s work: Skin processing in northern hunter – gatherer settlements. I Hardy, Karen (Red.), Archaeological Invisibility and Forgotten Knowledge. Archaeopress. ISSN 978-1-4073-0733-6. s. 144–153.
• Klokkernes, Torunn (2008). Issues in the preservation of manually tanned skin. Conservation, exposition et Restauration d'Objets d'Art. ISSN 1784-5092. 2.
• Grøn, Ole; Turov, Mikhail & Klokkernes, Torunn (2008). Spiritual and material aspects of everyday ritual negotiation. Ethnoarchaeological data from the Evenk, Siberia. I Glørstad, Håkon & Hedeager, Lotte (Red.), Six Essays on the Materiality of Society and Culture. Bricoleur Press. ISSN 91-85411-06-X. s. 33–57.
• Grøn, Ole; Turov, Mikhail & Klokkernes, Torunn (2008). Settling the landscape – settling the land: Ideological aspects of territoriality in a Siberian hunter-gatherer society. I Olofsson, Anders (Red.), Archaeology of Settlements and Landscape in the North. Vuollerim 6000 år. ISSN 978-91-977213-1-8. s. 57–80.

Sjå alle arbeida i Cristin

• Streeton, Noëlle Lynn Wenger & Kollandsrud, Kaja (2014). Paint and Piety: Collected Essays on Medieval Painting and Polychrome Sculpture. Archetype Publications Ltd.. ISBN 9781909492103. 203 s.

Sjå alle arbeida i Cristin

• Kollandsrud, Kaja (2022). Madonna fra Hove: Hvem er hun og hva kan hun fortelle?
• Uleberg, Espen; Matsumoto, Mieko; Kile-Vesik, Jakob Jan Edvin; Ore, Christian-Emil Smith; Dell'Unto, Nicoló & Bonelli, Letizia [Vis alle 10 forfattere av denne artikkelen] (2021). Norwegian Unimus, Nordic Collections, and ARIADNEplus. Encouraging use and re-use of Collections, Excavation Documentation, and Museum Exhibits.
• Kutzke, Hartmut; Puskar, Ljiljana; Flåte, Ingrid; Schade, Ulrich & Sandu, Irina Crina Anca (2021). Studying historical pigments by synchrotron far-infrared spectroscopy: new insights, limitations, and prospects.
• Kollandsrud, Kaja (2021). The Visual Vocabulary of Medieval Polychrome Sculpture discussed in the Christian Context of the 12th and 13th Centuries.
• Kutzke, Hartmut (2021). The TexRec project.
• Kollandsrud, Kaja (2021). The holy animated through light embodied in medieval church art.
• Kollandsrud, Kaja (2021). Middelalderens malte kirkekunst: Hva kan den fortelle?
• Puskar, Ljiljana; Sandu, Irina Crina Anca; Schade, Ulrich & Kutzke, Hartmut (2021). Pigments from the legacy of Arnold Boecklin and Edvard Munch studied by synchrotron far-infrared spectroscopy.
• Kutzke, Hartmut; Holmqvist, Karen Langsholt & Mauren, Arnfinn (2021). Ny teknologi avslørte innholdet på amulett: Det høres litt magisk ut. [Avis]. Aftenposten.
• Kollandsrud, Kaja (2021). The Visual Vocabulary of Medieval Polychromy in a Christian Context.
• Kutzke, Hartmut; Puskar, Ljiljana; Sandu, Irina Crina Anca & Schade, Ulrich (2020). Pigments from the legacy of Arnold Böcklin and Edvard Munch: a far-infrared spectroscopy study .
• Bertolin, Chiara; De Ferri, Lavinia; Razavi, Seyed Mohammad Javad; Aalto, P. & Berto, Filippo (2020). Acoustic Emission NDT for monitoring hygro-mechanical reactions of coated pine wood: a methodological approach.
• Kutzke, Hartmut (2020). Changes in the mirror of written sources on art technology.
• Kollandsrud, Kaja (2020). Det hellige i farger og glitrende metaller.
• Kollandsrud, Kaja (2020). Communicating the holy. The visual language of church art in Norway between 1100 and 1350.
• Arntsen, Øivind; Kollandsrud, Kaja; Etting, Vivian & Sissel F., Plahte (2019). Fiat lux i middelalderen. [Radio]. Museum NRK P2. Vis sammendrag

  "Fiat lux" - la det bli lys! Gud skaper verden med lys. Slik tenkte man i middelalderens kirkekunst, og det er også nøkkelen til å forstå hvorfor det funklet og skinte inne i stavkirkene. - Man tenkte seg at alt lys utgår fra ett lys, som eksploderer og kondenserer og lager ti sirkler, og til slutt er jorden igjen i midten med de fire elementer. Og regnbuelyset er også et lys. Regnbuen er jo i mange kulturer broen til gudene, sier Kaja Kollandsrud i MUSEUM. Sammen med museumsinspektør Sissel F Plathe, som har sine røtter i Norge, går vi med museumskonservator Kaja Kollandsrud fra Kulturhistorisk Museum i Oslo rundt i den enorme samlingen av kirkekunst fra middelalder og renessanse på Nationalmuseet i København. Vatnåsskrinet fra Sigdal I tillegg til flotte altertavler og mangefargede treskulpturer finner vi frem til to av de flotteste gjenstandene fra Norge som fant veien til København på 1600 og 1700-tallet. Det er Vatnåsskrinet fra Buskerud og Sankt Olavsfiguren fra Tyldal. Relikvieskrinet i gullforgylt kobber, med dragehoder og flotte detaljer er fra 1200-tallet, mens den mangefargede Olavsfiguren er 1300-tall. Kongens kunstkammer I MUSEUM møter vi også museumsinspektør Vivian Etting, som forteller om den berømte antikvitetssamlingen til kong Frederik III. Hun blar litt i katalogen for det kongelige museum anno 1695, "Museum Regium", men det kommer vi tilbake til i del 2) av denne reportasjen fra Nationalmuseet i København. Dette er del1) av tilsammen 2. Første del sendt 14/12 2019.

• Kollandsrud, Kaja (2019). Beyond the surface: Exploring meaning through the materiality of church art perceived in its medieval context.
• Kollandsrud, Kaja (2019). The materiality of the holy in medieval art.
• Kollandsrud, Kaja (2019). The lost lustre of medieval polychromy: What does it mean for our perception, and how do we treat it?
• Arntsen, Øyvind; Schumacher, Jan & Kollandsrud, Kaja (2019). Omvisning i middelalderens polykrome univers i middelalderutstillingen på Kulturhistoriske museum. [Radio]. NRK P2. Vis sammendrag

  Verdighet, gull, glans og polykrome skulpturer. Alt dette beskriver middelalderens kirkekunst, men det er lett å overse det aller viktigste: - Moderne mennesker bærer med seg en ryggsekk med holdninger. Vi er preget av en beundring for den monokrome antikken med sine hvite skulpturer og marmor. I middelalderen var det så mye farger, gull og glans at moderne mennesker i dag ofte synes det er vulgært å se på. Det er senior konservator Kaja Kollandsrud på Kulturhistorisk museum i Oslo som sier dette når hun tar oss med inn i kirkekunstavdelingen. Vår første stopp er Madonnaen fra Hedalen, som vises som en replika med så mye gull og gilde farger at den ikke lenger passet så godt i sin opprinnelige kirke. - Men slik var fargeprakten, sier Kollandsrud. Istedenfor hvite eller ensfargete skulpturer i tre, brukte man mange farger for å skape et polykromt uttrykk hvor fargene er med på å forme skulpturene rent fysisk, sier Kollandsrud. Et blikk inn i Paradis i MUSEUM forteller Kollandsrud om hvordan fargene ble konstruert. Gull var ikke gull, men høypolert sølv, som et speil, og det ble lagt en gul, transparent lasur over. Det samler lyset og lever og funkler. Det var helt levende. Når man ser det, er det nesten så man faller gjennom overflaten. Og det er det nærmeste man kan komme for å få et blikk inn i Paradis. Man skal egentlig bli litt «mo i knærne» av hvor vakkert det er, sier Kollandsrud. - Vi som er klassiske kirkehistorikere har som regel vært opptatt av tekst, idé og tanker, sier Jan Schumacher. Men dette er en flott tilnærming mellom det teologiske og gjenstandsforskningen. Det har vært et fruktbart møte og har løftet Middelalderens anseelse, for den har vært baksnakket i mange år, sier Schumacher. Den stille uke – en protest mot NRK I MUSEUM forteller også Schumacher litt om hvordan den katolske påske feires i dag. Den stille uke, for eksempel, det er et uttrykk vi bruker som en protest mot NRK og alle medier og alle som snakker om «påskeuken», sier ham. For katolikker starter påsken 1.påskedag. Så går det seks søndager fram til pinsen. Det er den egentlige påsken for oss katolikker, sier Jan Schumacher. Sendt første gang Påskeaften, lørdag 20/4 2019.

• Kollandsrud, Kaja (2019). The [mis]interpretation of the medieval polychrome surface. Results and consequences .
• Kollandsrud, Kaja (2019). Å fremkalle det hellige. Hva kan middelalderens maleri fortelle oss?
• Kollandsrud, Kaja (2019). Et glimt av det hellige i middelalderens kirkekunst.
• Kollandsrud, Kaja (2019). Visuell kommunikasjon i polykrom skulptur fra perioden mellom 1100 og 1350. Hva ser vi på?
• Kollandsrud, Kaja (2019). Evoking the Divine: The Visual Vocabulary of Polychrome Wooden Sculpture in Norway between 1100 and 1350.
• Kollandsrud, Kaja (2018). The Holistic Universe of the Middle Ages as a Guide in the Search for Potential Meaning in Medieval Polychrome.
• Kollandsrud, Kaja (2018). Middelalderens malte kirkekunst: Hva har vi og hva kan den fortelle? .
• Kollandsrud, Kaja (2018). Med helgenen som guide/ Guided by the Saint. I Bjerregaard, Peter (Red.), Forvandling - tro og hellige gjenstander i middelalderen. Museumsforlaget AS. ISSN 9788283050615. s. 6–10.
• Kollandsrud, Kaja (2018). ‘Done in earth, as it is in heaven' The making and meaning of medieval church art.
• Kollandsrud, Kaja (2018). The Divine Communicated through Embodied Light in Medieval Sculpture in Norway.
• Kollandsrud, Kaja & Roar, Østgårdsgjelten (2017). Middelalderen var slett ikke de mørke århundrene som tidligere historikere vil ha det til. [Tidsskrift]. Aftenposten historie.
• McHale, Emily; Steindal, Calin Constantin; Benneche, Tore; Kutzke, Hartmut & Harding, Stephen E. (2016). IN SITU PREPARATION OF LIGNIN-LIKE OLIGOMERS FOR THE CONSOLIDATAION OF WATERLOGGED ARCHAEOLOGICAL WOOD.
• Kutzke, Hartmut & McHale, Emily (2016). Taking a lesson from nature: bio-inspired materials for the preservation of cultural heritage objects.
• Braovac, Susan; McQueen, Caitlin; Andriulo, Fabrizio; McHale, Emily & Steindal, Calin Constantin (2016). The Saving Oseberg Project – Chemistry for the salvation of Viking Age wooden artefacts.
• McHale, Emily; Braovac, Susan; Steindal, Calin Constantin; Kutzke, Hartmut & Benneche, Tore (2016). Consolidation of waterlogged archaeological wood with lignin-like oligomers.
• Grydeland, Ivar & McHale, Emily (2015). Oseberggrenstandene skal reddes.
• Klokkernes, Torunn (2012). Skin processing technology in Eurasian reindeer cultures.
• Del Federico, Eleonora; Kehlet, Cindie; Klokkernes, Torunn & Schahbaz, Hiba (2012). Unilateral 1H-NMR comparative study of skin processing technologies in Eurasian arctic and sub-arctic indigenous cultures .
• Klokkernes, Torunn (2009). Analyse av beredningsmetoder for skinn og pels.

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